16 May 2025
Encountering a work by Jisbar is less like viewing a painting and more like stepping into a full-blown sensory experience. You’re all but guaranteed to stop in your tracks—drawn into a world where rock and roll iconography, graffiti, classical art, and everyday objects are deconstructed, reimagined, and reassembled in vivid collages that provoke, intrigue, and confound in equal measure. And sometimes, Jisbar quite literally pushes the boundaries between realms. In 2020, he became the first artist ever to send a painting into space when his work, Punk Mona, created in tribute to Leonardo da Vinci on the 500th anniversary of his death, was launched into the stratosphere—33.4 km above earth for more than one and a half hours.
It is little wonder then, that Franck Muller finds a kindred spirit in the French contemporary artist. Both the avant-garde watch brand and Jisbar are driven by a shared impulse to defy convention. And for their first collaboration, Franck Muller presents a canvas that seem readymade for Jisbar: the Crazy Hours—a watch that rewrote the rules of conventional time-telling, powered by an ingenious complication that displays the hours in a seemingly erratic sequence.
Jisbar—whose past collaborators include BMW, J.M. Weston and electronics giant LG—approached the project with characteristic flair. Lavishing the Crazy Hours collection with his trademark capriciousness, Jisbar updates the famous timepiece with a rare blend of sensitivity and audacity. Here, the 36-year-old artist delves into story behind the Vanguard Crazy Hours Jisbar.
I was super happy. In fact, I had gotten in touch with Franck Muller a few years ago in the hope of working together one day. It was during one of my exhibitions in Geneva when I met a representative from the brand, and we started discussing the project. I consider the collaboration an accomplishment and a dream come true, as I am a fan of the brand.
It is a concept that speaks to my heart—it is a perfect match with my philosophy. There is a lot of information on the dial, and lots of colour. Then there is the subversive identity; the watch’s risk-taking spirit to try and express something crazy. While it is important for the watch to tell the time, it is also presented as a work of art.
I have a personal interest in horology, and I see Franck Muller as a contemporary brand that is also deeply entrenched in the traditional aspects of watchmaking. As a young artist who has evolved and gained a better understanding of my craft, I see my work as a melting pot of influences. That is the spirit I take into the collaboration.
I started by selecting 12 of my best paintings to be featured on the watch. Following that, I extracted one element per painting—numbers-based, of course—to recreate on the dial. In doing so, I also ensured that the elements, when in place, make it easy to tell the time. We do so by adjusting the colours and the disposition of the motifs to make everything fit perfectly. It was important to inject my identity into the watch. When you see the watch, you notice the colours, the motifs, and the playfulness that express what I am about.
There are a lot of things. For one, it is a totally unique watch in that it is playful and arty all at once—and totally a Jisbar creation. It is also a very versatile watch that you can wear with a suit or casual attire. The watch is really like a Jisbar painting. You get to discover something new and different each time you look at it.
I hope people will feel the same emotion that I felt when I saw the watch in the flesh for the first time—which is happiness, and that it brings a smile to their faces. We worked on this watch for months, and there is nothing like having it in your hands. I truly believe it is a piece of art that you can wear on the wrist.
Thank you! As much as I took inspiration from my earlier paintings, the timepieces, in turn, inspired me to create more paintings. Since the watches come in five materials—carbon, steel, titanium, black titanium, and rose gold (each limited to 50 numbered pieces)—I decided to make one painting of each watch. I then divided each painting into 50 pieces, which will be included the box with each watch.
It was such a smooth collaboration as in the sense that they allowed me the freedom to express myself. Of course, there were technical considerations with it being a watch but, ultimately, they trusted in my vision. I visited Watchland (the brand’s headquarters) and saw how Franck Muller produces all its watches in-house. This opened my eyes to the total creative control that they have in making the watches. I understood that this was an important element that helped with the collaborative process, because any ideas we wanted to execute, we could get them done quickly.
It is the most valuable thing in the world. You can always try and make more money, but time is something you will never get back.
Get up-close with the new Vanguard Crazy Hours Jisbar at our boutiques today.