04 Nov 2025
Conceived in collaboration with Japanese artist Yasuhiro Asai, a master of Urushi lacquer and the ancestral Raden technique, the poetic dials of Notte di Luce weaves Japanese artistry into a dialogue with Italian elegance and Swiss horological mastery. Each dial, crafted entirely by hand in the artist’s Kyoto atelier, is a singular creation — a luminous hymn to light itself.
Urushi – Japanese lacquer – traces its origins back to prehistoric times. Drawn from tree sap, this dense, tinted, and polished lacquer was first used to create a protective sheath around objects. Over the centuries it became a symbol of refinement, enriched with delicate embellishments such as Raden, literally “sprinkled picture.” Developed some 1,300 years ago, this ancestral art consists of embedding minute fragments of mother-of-pearl or gold to form intricate motifs. Against the lacquer’s profound black, each fragment comes alive in a shimmering play of light.
Credit: Bvlgari
Renowned for his mastery of Urushi and Raden, Yasuhiro Asai has long made light the central theme of his art, drawing inspiration from the sun, the rainbow, and even the electric iridescence of mother-of-pearl. Combining cutting-edge techniques with ancestral gestures, he composes contemporary works in the serene surroundings of his traditional Kyoto atelier.
Equally fascinated by Japanese culture, Fabrizio Buonamassa Stigliani, Bulgari’s Executive Director of Product Creation, first met Asai during a journey to Japan. From their encounter were born two exceptional dials for the Lvcea watch.
Introduced in 2014, Lvcea is an emblem of luminous femininity, playing with the brilliance of steel, the warmth of rose gold, and the sparkle of diamonds encircling the dial. Both a horological creation, with its automatic movement, and an artistic one, Lvcea has long embraced the métiers d’art, as a canvas for colourful mosaics of mother-of-pearl or deep-green malachite.
The dialogue took shape around a shared contemporary vision of traditional savoir-faire and a mutual fascination with light. “We found a new way to speak of light through the reflections of thousands of tiny mother-of-pearl fragments,” explains Fabrizio Buonamassa Stigliani. “With this technique, we offer a fresh perspective on light through colour.”
Between every layer of lacquer, patient polishing with charcoal reveals depth and brilliance within the material. One by one, Asai selects the tiniest fragments of mother-of-pearl — chosen for their iridescence and their shape — to compose a vibrant mosaic that, after a final polish, emerges from the darkness of the lacquer.
Sixty days of meticulous effort result in one dial, each entirely unique — and each a symbol of eternity.
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